Prufrock is portrayed as a shy and timid typesetters case whose thoughts and attitudes are severely degraded by failure and low-toned self esteem. He is self-conscious and indecisive, un imparting to take whatsoever risks, step up of the fear of rejection. The poem contemplates his unsuccessful attempts to gain oer women and fit in with society. This is largely due to his bearish and self-critical nature, regret attitude and suppression. As a consequence of his self-doubting temperament, he forms feelings of isolation and loneliness, manifesting an anti-hero status. Prufrocks personal identity is chiefly look ford by troika rhetorical skylarks. These are the use of an epigraph, recurring images and repetition. The epigraph explores the suffering and question in Prufrocks identity in an effective way. It is in number 1 person and thereof provides insight about what Prufrock is thinking. The simile this flame alerts the lector that Prufrock has some shape of d esire or unresolved issues which confound him. Phrases such as none ever did return alive from this depth intimate that Prufrock is calling out from the depths of hell with a sense of pessimism and depression. A key stylistic feature used in the epigraph is juxtaposition.
The statute title Love Song implies the poem will be about a mans pardon and love for his wife or girlfriend, yet the introductory epigraph line of works this stem turn entirely, rather creating the toughness of a tormented, suffering man experiencing hell. This contrast helps to convey Prufrocks true up identity to the reader. Recurring i mages are another key stylistic feature used! to explore Prufrocks identity. The reference to the image of oyster-shells is evidence of his conquer self, and along with the metaphor of yellow confuse, form the recurring imagery of the sea. The last mentioned metaphor portrays the fog with cat-like qualities, such as rubbing its back, and licked its tongue... If you want to vanquish a plenteous essay, order it on our website: OrderCustomPaper.com
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